A few photos and all the comics that our visitors produced are shown below:


Fantastic Four: The End. Written/Pencilled by Alan Davis and Inked by Mark Farmer.
Here is a picture!
I very rarely pick up Fantastic Four when perusing the shelves of the Comix Shoppe or the new Library (where I pick up most of the comics that I read now, 'cause I'm a jobless bum). But I think I'll have to change my ways after reading 'FF: The End', because it was great.
It comes under one of my favourite sub-genres: 'What if...' For those of you who have yet to read it: The End begins a few years in the future, We find the FF in their 'final' battle with Doctor Doom, who is now more robot than metal man. Things take a turn for the tragic, and two of the FF's loved ones are dragged into a void with Doom, lost to the Four (forever?). We then jump several decades into the future; the Fantastic Four, although not officially disbanded, have gone thier separate ways. Johnny is no longer the headstrong youth of years ago, but now the Leader of the New, New (?), Avengers. Ben Grimm lives a happy and peaeful life on Mars with his wife Alicia and their children. Sue spends her time exploring, on archeological expeditions alone. Meanwhile Reed is one of the most famous men alive, having extended the life expectancy of every human on earth, eliminated cancers and diseases and advancing earth-science; allowing humantiy to join it's stellar neighbours on the galactic council. However, Reed spends his time all but alone in the FF's space station, working endlessly and blaming himself for the events of the past.
Super Villains, by this time have either fled to the colony worlds, or fight pointless, fruitless battles with the heroes. Something is happening out of sight however, something is not quite right. Behind the scenes plans are being made and an invasion is being mounted. I wont spoil it for you, just read it! The final pages are great; as the invading forces come up against the Avengers (who seem to be more like DC's JLA in these times) and clash in space, the rest of the FF find that Sue may have found a 'key' to their past.
One of the things I like most about FF: The End are the characters, and how time (and in a few cases science) has changed them. Take Iron Man for example; he is now nothing more than a ghost, only his consciousness remains. He jumps between Iron Man 'shells' when in a hurry or if one is destroyed. Ben Grimm is finally happy too, he is no longer trapped in his rock-like form, but finds, oddly enough, that people like the old Thing better.
That's enough of my odd, disjointed and rambling observations I think. Until next time anyways.
Ta-ta.
Catwoman: When in Rome
Written by Jeph Loeb/Art by Tim Sale
Okay, first off, Jeph Loeb and Tim Sale rarely put a foot wrong -in my mind- when they work on a Batman/Batman-related story. This is no exception, I enjoyed it alot. For those of you who haven't read Long Halloween (!) Selina Kyle/Catwoman suspects (semi-spoiler) Gotham's Mafia kingpin, Carmine Falcone, of being her father. So in When in Rome, Selina travels to Italy to try and uncover a few truths about her parentage. The Riddler tags alongside, serving as Selina's lapdog of sorts. There are a few comic moments, where Edward gets a bit too close to Selina, and she reminds him of the importance of 'personal space' in her own special way.
Nothing runs smooth for the Anti-Heroine; briefly lost luggage (containing her costume) and the death of her only real lead (a local Don) are just the start of her woes. Soon she is blamed for the murder, hunted by the Don's vengeful son, super-villains (and their weapons) keep cropping up, and to top it all off, she keeps dreaming of The Batman, only she keeps on mistaking him for Bruce Wayne... hmm...
The story itself is quite good (I like Jeph Loeb's writing style alot), although it doesn't have the same 'epic' feel as Long Halloween or Dark Victory, it still keeps you interested. It is essentially an off-beat detective story, so more than just a few twists and turns arise along the way. The 'big reveal' at the end puts all of the pieces of the murder mystery together, but is a bit lacking in originality (when the 'mastermind' is revealed I kicked myself for not figuring it out myself). The main plot is only a half reveal, though the reader learns than Selina, but it ties things up neatly for the end of Dark Victory.
If you don't know Tim Sale's style, the easiest way to describe it is 'big panels'. Every now and then you'll come across a full page panel and you'll stop to take in the details. For the Batman comics, Sale usually chooses darker or dulled hues, and alot of the panels are cloaked in shadow, but the line work is always intricate.
Here's an example from Long Halloween.
So, you should really, really, consider reading Catwoman: When in Rome. If the promise of panel upon panel of Selina Kyle dressed up as Catwoman; or, of her in various states of undress, don't do it for you. Then maybe the promise that you'll catch more than just a glimpse of Edward Nygma (at one point) wearing the costume too. I swear, it is so funny!
Ta-ta.
IF YOU KNOW ANYONE IN THE GROUP WHO ISN'T GOING TO SEE THIS PLEASE
PASS ON THE MESSAGE.